The Greatest West African Songs of 2024 So Far

The primary half of 2024 ushered in a shocking however welcome change within the panorama of African music. It’s ladies — from Nigeria’s Ayra Starr and Tems, Ghana’s Wendy Shay, Cote d’Ivoire’s Roseline Layo and plenty of others — who’re making a number of the most influential music popping out of West Africa as we speak.

This checklist compiles a few of their finest work, whereas not forgetting to focus on the unimaginable tendencies from throughout the area together with amapiano-infused pop from Cote d’Ivoire to Ghana’s signature rap drill. The 12 months has additionally seen the rise of good, rising artists with sharp, compelling views.

Beneath, is the last word information to a number of the finest music from West Africa in 2024 to this point.

Ayra Starr “Commas” (Nigeria)

Ayra Starr – Commas (Lyric Video)

The lead single from her stellar and well-lauded sophomore mission, The Yr I Turned 21, Ayra Starr’s “Commas” is a brilliantly executed Afropop quantity that showcases Starr’s thrilling versatility. The writing is enjoyable, the manufacturing glossy and danceable. Positioned aspect by aspect with the thematic issues Starr explores within the album, “Commas”takes on a refreshing, nearly introspective tilt as many well-crafted songs are inclined to.

Tems “Wickedest” (Nigeria)

Tems – Wickedest (Visualizer)

“Wickedest” is likely one of the finest standouts from Tems’ debut album Born In The Wild. The monitor opens with a pattern of Magic System’s “Premier Gaou” and a daring, stinging declaration that rapidly serves up a refreshing, braggadocious aspect to Tems. “Wickedest”is a stellar bounce monitor, full of razor-sharp writing and an exhilarating playfulness that makes for an ideal summer season banger.

Lyrical Joe “1960” (Ghana)

Lyrical Joe – 1960

Ghanaian rapper Lyrical Joe takes no prisoners in “1960.” Everyone seems to be a goal and all his discontent is laid naked in a strikingly well-articulated, high-energy monitor. Followers of Sarkodie will connect with Joe’s fast-paced, technically bold rap flows. Whereas not everybody would possibly agree with the thematic issues he touches on— like dissing fellow business colleagues and criticizing rappers hiding underneath the “Afro” umbrella—there is no such thing as a denying that this artist has one thing to say and has an arresting, if additionally scathing, method of claiming it.

Suspect95  “Rose Ba” (Cote d’Ivoire)

Suspect 95 – ROSE BA. (Official Music Video)

In “Rose Ba” Ivorian rapper Suspect95 samples the 1985 Ivorian basic “Adjéké” by Rose Ba. The monitor, from one in every of Cote d’Ivoire’s brightest and most versatile rappers, is a feisty rap quantity that opens with Ba’s voice main the best way to Suspect95’s charged rap movement in his distinct, baritone. The tune is a well-finished experimental delight, bringing previous sonic influences into a contemporary, totally realized context.

Didi B “W.D (Walt Disney)” (Ivory Coast)

Didi B – Walt Disney (audio)

Ivorian rapper Didi B launched “W.D” as a part of his newest EP Earlier than Olympia. “W.D” follows in Didi B’s signature drill movement, mixed with gentle R&B influences to create an immediate earworm. After filling out arenas in Paris together with The Olympia and being an integral a part of ‘rap Ivoire’ (Ivory rap), a style that captures the nuances and realities of being younger and Ivorian via native Ivorian creole Nouche) Didi B is defining the style of Ivory Coast’s dynamic cultural panorama.

Kiff No Beat “C Komen?” (Ivory Coast)

Kiff No Beat – C Komen ?

Abidjan hip-hop group Kiff No Beat maked a fab, amapiano-inspired entry into the 12 months with their newest launch. In “C Komen?,” their love curiosity is crafty and unyielding regardless of their many expressions of affection, together with requests for champagne. “C Komen?’ is a enjoyable, refreshing exploration of the amapiano from one other a part of the continent outdoors of Nigeria and Ghana.

Joeboy “Osadebe” (Nigeria)

Joeboy – Osadebe [Official Lyric Video Visualiser]

In “Osadebe” Afropop star Joeboy faucets inspiration from “Osondi Owendi,” an Igbo highlife basic from one of many pioneers of mentioned style, Chief Stephen Osita Osadebe, who (you guessed it) Joeboy’s tune is known as after. As with Osadebe’s model, Joeboy’s “Osadebe” can also be about main one’s life in full disregard of different folks’s opinions or unsolicited issues.

Bloody Civilian “Head Begin” (Nigeria)

Bloody Civilian – Head Begin

Bloody Civilian’s “Head Begin” opens with a tame screech and a gripping pressure. Co-produced by her, “Head Begin,” is in basic Civilian fashion, a transparent, sharply delivered diss at her enemies and folks trying to patronize her genius. As with lots of her information, Civilian crafts a story, devises a compelling groove and maintains her skill to shock and maintain listeners on their toes.

Wendy Shay “Holy Father” feat. Ras Kuuku (Ghana)

Wendy Shay – Holy Father feat. Ras Kuuku (Visualizer)

Wendy Shay navigates the existential and non secular in her newest monitor “Holy Father” alongside famend Ghanaian reggae/dancehall artist Ras Kuuku. “Holy Father” is a susceptible, open imploration for defense and non secular steering. It’s additionally, in its catchy Afropop/dancehall combine, an acknowledgment of a few of Shay’s deepest fears, like by no means totally making it or falling off, thereby giving language to a number of the coronary heart’s most inarticulate emotions. “This street is a lonely street,” Wendy sings, together with her palms open, looking for blessings.

Adji One Centhiago “Soungalo” (Mali)


Taken from his newest eponymous EP Soungalo, Malian singer Adji One Centhiago makes a gentle, groovy entry into the 12 months with “Soungalo.” The monitor is lush and tender, incorporating components of basic Malian music, gentle, trilling guitars wired collectively by glossy drum pads and percussions. The top materials is a delicate, but danceable monitor amply populated by Centhiago’s beguilingly breathy vocals.

Taves “Folake” (Nigeria)

Taves – Folake (Visualizer)

“Folake” is a tightly constructed R&B monitor that simply references The Weeknd’s ethereal vocal productions and emotion-laden songwriting albeit with a novel, deeply Nigerian twist all his personal. In “Folake,” Taves takes on mundane issues of affection and want via introspective, plausibly susceptible eyes, making the listeners root for his pursuit of affection as if it have been theirs.

Anitram “Felony” (Liberia)

Anitram-Felony (Official visualizer)

Liberia’s songbird, Anitram, is a superb pupil of the Afropop format. In her newest, “Felony,” she excels at displaying her agile vocal prowess and lighthearted, indelible lyrics. Her hooks are well-timed and her refrain is crafted to be remembered and sung loudly, making for a robust entry into the musical 12 months. Whereas she solely has some singles out, Anitram is already constructing a commendable repute for herself and her illustration of the Liberian music business.

Tolani “I Imagine” feat. QDo (Nigeria)

Tolani & Qdot – I Imagine (Official Video)

“I Imagine” finds Tolani taking part in with Afropop’s faster-paced lyricism made much more spectacular by witty, however gut-wrenching writing about making it, protecting religion within the face of adversities and discovering house for unquenching hope.

Abdou Guité Seck – Ousmane Sonko (Senegal)

Abdou Guite Seck – Ousmane Sonko (Lyric Video)

Whereas Senegal was making a tumultuous and most necessary political transition this 12 months, Senegalese singer Abdou Guité Seck launched a compelling monitor titled “Ousmane Sonko,” devoted to the well-known politician and candidate within the simply concluded Presidential elections of the identical identify. Seck’s “Ousmane Sonko” is a curious, fascinating tune outlined by groovy strings and tentatively galloping drumming. Faraway from its political ambitions, “Ousmane Sonko” is a deeply gratifying tune.

Arka’n Asrafokor “The Fact”  (Togo)

ARKA’N ASRAFOKOR – The Fact (Official Lyric Video)

Arka’n Asrafokor is the one heavy steel band in Togo. The five-person group — comprised of vocalist and guitarist Rock, keyboardist and vocalist Rico, percussionist and vocalist Mass, bassist Francis and drummer Richardm — are carving out a novel house for themselves in a musical panorama the place steel music is totally alien. In “The Fact” taken from their newest EP of the identical identify, the band brings the native sensibilities of Togolese musical tradition to the forefront. From combining native dialects with English of their lyrics to using native devices, Arka’n Asrafokor continues to subvert the expectations of adopting a Western sound.

Rail Band “Marabayasa” (Mali)

Rail Band – Marabayasa

The Rail Band was a well-known Malian band that glided by many names. It was first often known as The Rail Band, later as Tremendous Rail Band, then as Bamako Rail Band, and at last formally acknowledged because the Tremendous Rail Band of the Buffet Resort de la Gare. The band, fashioned in 1970, was recognized for its compelling works in Cuban jazz. Their Afro-Latin musicality was inventively complemented by homegrown musical components akin to Bambara in addition to the Mande Groit reward singer music fashion. “Marabayasa” was first launched of their 1973 self-titled album and has now not too long ago been reissued by Mississippi Information. “Marabayasa” has a robust funk tilt, flourished with lilting trumpeting and heat, sun-drenched vocals.

SGaWD, Moily “Juicebox” (Nigeria)


In “Juicebox,” Nigerian rapper SGaWD performs an irresistible enchantress who’s laser-focused on getting precisely what she desires. The glossy Afropop quantity sees an help from Ghanaian singer Moily, who seamlessly amplifies the dangerously lush high quality of the characteristic. SGaWD’s rap flows listed below are relaxed, a number of steps slower than what she has come to be recognized for, which not solely captures the tenderly laid-back vitality of the tune however illustrates her unimaginable vary.

Ashs The Beat “Xalam” (Senegal)

Ashs The Greatest – Xalam (Clip Officiel)

Dakar-born artist Ashs The Beat is a grasp of misleading simplicity. His songs usually seem easy and predictable simply as they start earlier than they nearly all the time veer off into unpredictable territories generally along with his vocals, different instances with the beat. In “Xalam,” a young, reflective monitor, the earlier member of Niominka (a Senegalese reggae group) that high quality of assumed simplicity makes for a wealthy, experimental pay attention.

Victony “Danger” (Nigeria)

Victony – Danger (Official Visualizer)

Victony’s “Danger,” taken from his debut album Cussed, is a riveting, glossy Afropop quantity bolstered by intelligent writing and a dreamy beat. There are beat modifications and gentle guitar strings laid over a gentle bounce. Like the remainder of the work in Victony’s well-executed first mission, “Danger”is a finely organized assembly level of all of Victony’s versatile musical disciplines.

Black Sherif “Zero” feat. Mabel (Ghana)

Black Sherif & Mabel – Zero (Official Video)

Ghana’s main drill rapper, Black Sherif, and British singer Mabel crew up on the brand new monitor “Zero,” through which they’re each utterly averse to drama. Sherif, who has considerably established the panorama of Ghanaian drill rap, is selecting peace over the unpredictable messiness that tends to return with being human.

Josey “Tout laisse” (Ivory Coast)


Whereas “Tout Lassie,” from celebrated Ivorian artist Josey may need a melancholic theme, its bouncy, soukous beat strikes it into lighter, much less moodier territories. The tunesends off anecdotal illustrations of the inevitability of endings, of the helpless passage of time and the impermanence of conditions.

Roseline Layo “Loulou” (Cote d’Ivoire)

Roseline Layo – Loulou (Vidéo Officielle)

In her newest work, “Loulou,” Senegalese songbird Roseline Layo is all-in together with her love. The monitor options spirited guitar work, gentle percussion and Layo’s gentle, unforgettable vocals. Layo has created a terrific love tune, full of hope, unbridled belief and indulgent imaginations, to get us via the summer season.

Kwesi Arthur “Fefe Ne Fe” (Ghana)

Kwesi Arthur – Fefe Ne Fe (Official Audio)

On Kwesi Arthur’s “Fefe Ne Fe,” TicTac and Tony Tetuila’s 2003 basic of the identical identify finds new life. Whereas the latter steered their thematic issues in direction of want, Arthur approaches his tackle it from a reflective standpoint. It’s Arthur taking a stroll via reminiscence lane, taking aside previous points to search out new which means in them. Arthur switches between his slick singing and straightforward rap flows and is carried by an unrushed, slow-paced Afropop beat.

From Your Website Articles

Associated Articles Across the Net

Leave a Reply

Your email address will not be published. Required fields are marked *